A boy named Peter must save Easter. An evil character named Tin Whiskers takes over the town and re-names everything including the streets to have tin in the name. He has several animal friends who help him and Mother Nature even gives him help.

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Sergei Prokofiev's symphonic masterpiece, first performed in Russia in 1936, has been lauded not only for the spectacular musical score, but also for the story itself--of a young boy who outwits a wily wolf. George Daugherty brings this timeless tale to modern audiences by seamlessly weaving live-action with animation and music by the RCA Symphony Orchestra. The story opens as a grandfather (Lloyd Bridges) hosts his daughter (Kirstie Alley) and grandson (Ross Malinger from Sleepless in Seattle) during a visit to his country cottage. After lunch, the trio settles in as grandfather recounts "The Story" of Peter's adventures with a bird, cat, and dizzy duck on the outskirts "of a very dark forest." The film morphs into a clever cartoon designed by the legendary Chuck Jones (of Wile E. Coyote fame). The "story within a story" leaps to life while the accompanying musical instruments also emerge as playful personalities.

Gorgeous tunes and orchestral thrills for the young and young at heart: with a twinkle in her eye, the warm, whimsical and occasionally wicked Miriam Margolyes leads us through an orchestral storytelling extravaganza. Matching instruments to their animal counterparts in Prokofiev's timeless classic, Peter and the Wolf exploring witty vignettes and a dazzling fugue in Benjamin Britten's The Young Person's Guide to the Orchestra and magical tales of love and fantasy in Borodin's Polovstian Dances from Prince Igor. Margolyes is joined by the Adelaide Symphony Orchestra with Principal Conductor Nicholas Carter in a captivating program filmed live in concert at the 2017 Adelaide Festival - a sellout performance season that was a crowd-pleaser for young and old.

a quiet young boy struggling with the loss of his parents and the broken relationship with his older sister, finds comfort in the friendship of a giant that lives in the forest near his home

Sam acquires and ostrich from which hatches, no surprise, an ostrich. The ostrich attach's itself to Sam, in addition to eating everything in sight, and Maggie orders him to get rid of it. When Sam thinks he has lost the bird, he returns home where Maggie leads him to the bedroom, where Sam finds the ostrich with a family of her own.

Emile Magis, a modest employee, more or less ostracized by the others, would like only one thing, to be happy. Little by little he realizes that life in society is a matter of convention, lies and deception. When he has understood that cynicism rules the world, he decides to play by its untold rules and to take his revenge.

A story about a man that died and met his creator.

It tells a story of a bird-monster from South America originally treated as god by Incas. Long believed to be extinct, due to genetical experiment gone awry its egg fossil hatches and the monster starts to search for females to impregnate.

The shower scene from Psycho reenacted with an egg.